Description
No one captures the borderits history and imagination, its danger, contradiction, and redemptionlike Fernando A. Flores, whose stories reimagine and reinterpret the regions existence with peerless style. In his immersive, uncanny borderland, things are never what they seem: a world where the sun is both rising and setting, and where conniving possums efficiently take over an entire town and rewrite its history.
The stories in Valleyesque dance between the fantastical and the hyperreal with dexterous, often hilarious flair. A dying Frdric Chopin stumbles through Ciudad Jurez in the aftermath of his mothers death, attempting to recover his beloved piano that was seized at the border, while a muralist is taken on a psychedelic journey by an airbrushed Emiliano Zapata T-shirt. A woman is engulfed by a used-clothing warehouse with a life of its own, and a grieving mother breathlessly chronicles the demise of a town decimated by violence. In two separate stories, queso dip and musical rhythms are bottled up and sold for mass consumption. And in the final tale, Flores pieces together the adventures of a young Lee Harvey Oswald as he starts a music career in Texas.
Swinging between satire and surrealism, grief and joy, Valleyesque is a boundary- and border-pushing collection from a one-of-a-kind stylist and voice. With the visceral imagination that made his debut novel, Tears of the Trufflepig, a cult classic, Flores brings his vision of the border to lifeand beyond.
Author Information
Fernando A. Flores was born in Reynosa, Tamaulipas, Mexico, and grew up in South Texas. He is the author of the collection Death to the Bullshit Artists of South Texas and the novel Tears of the Trufflepig, which was long-listed for the Center for Fiction First Novel Prize and named a best book of 2019 by Tor.com. His fiction has appeared in the Los Angeles Review of Books Quarterly, Ploughshares, Frieze, Porter House Review, and elsewhere. He lives in Austin, Texas.
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